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Esker

Esker - Volume 2 - Nowhere Else But HereI have published two volumes of a chapbook titled "Esker." The most recent volume, "Nowhere Else But Here," was released in January 2010. It features writings from every day of June 2009 in an old Japanese form called haibun.

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Snowy day haiku series

I have spent today working from home in front of a window looking out over our backyard and our neighbor’s. It has been snowing steadily all morning and I ought to go shovel but am reluctant to do so while it is still coming down.

All is silent outside, in here I have my usual mix of rock and roll playing. The dog is sleeping right behind me and groans contentedly every so often. I have slowly finished off a pot of coffee and will move on to tea after I eat lunch.

On a day like this, when the roads are messy, one could feel trapped inside the house, a prison made of fluffy snow. A trip out for lunch or to go skiing is discouraged by the trouble it would involve. But days like this are made for staying in, and the best journeys are often made without taking a single step.

The squirrels don’t mind
They dash from tree to tree—
Falling snow is no threat

Through the window I see
Little birds in the bushes
—Heartbeats like drum rolls

Consider silence—
Known now and oft remembered
Break it with music

Recent Twitter updates (2010-02-05)

Dancin' in the moonlite

"Dancin in the moonlite" written on a chalkboard

I went to a city an hour-and-a-half from home yesterday evening for work. I fulfilled my duty and was on my way back by about 9 p.m. It wasn’t long before I was on the Interstate, cutting east across a big flat part of Minnesota, listening to Retribution Gospel Choir loud and driving a comfortable speed in the right lane.

It is the darkness outside my headlights that I usually think of when I think of driving down a highway at night. I like doing that. I like the narrow cone of light in front of me and the vast blackness outside of it. Last night though, I had been driving along for a while when I noticed that it was not black outside the light of my headlights.

The moon will be full on Saturday night, but it was already big and bright in the sky. And it was a cold night, maybe -3 or -4°F, and the air was extremely dry and clear. So the big flat expanses outside my headlights were illuminated in this moonlight. Trees cast shadows on gentle hills a quarter-mile away, the snow was blue.

I thought to myself then that maybe this is a benefit of winter. I believe that to make it through winter you must find things you enjoy that you cannot do during the other parts of the year. Cross-country skiing is one example. And now I thought maybe such moonlit nights were another thing to look forward to. But then I remembered similar experiences on bright summer nights when a full moon throws its light on the lush landscape and you are on your way to and from swimming in the river. Alas.

"January Moonlight," by Marc Hanson (painted last night, too!)

"January Moonlight," © Marc R. Hanson '10 (painted last night, too!)

When I got home, I just caught Katie before she retired to bed. I asked her if she wanted to go walk on the lake in the moonlight with me and Lola and no, she would not, but she told me she did it last night when I wasn’t home and it was wonderful and I should be safe.

I put long underwear on and a hooded sweatshirt and then boots and hat and gloves and my warm jacket. Lola was surprised when I asked her if she was interested in a walk. She is a creature dependent on habit and walks at 10:30 at night are not her habit. But she quickly got on board with the idea.

We walked down to the lake and then I slid on my butt down a path to the water. It has been cold lately and everything is very frozen. Out on the lake, the wind and sun have conspired to wipe the snow clean off big patches of ice, leaving a surface so hard and slick that you really can’t walk on it. Lola neither. So we picked our way along paths on the snow-covered patches, where the walking was really quite good, with just enough snow to give firm purchase.

It was beautiful out there. The moon was almost directly overhead, with Mars right next to it. I could see the whole lake and I could see Lola running to and fro in front of me, scouting our path through the ice, occasionally coming back to me when she went down a dead end.

I felt very good. I was enjoying winter. And I was doing something that I couldn’t do during the rest of the year. It was very cold, but it was also very still, and with no wind, a few degrees below zero is really nothing. I saw the landscape with eyes that seemed anew, and I felt deeply appreciative for the experience.

It is something else to walk across a frozen lake under a full moon. But you grow up in Minnesota and you maybe take it for granted. It was just another frigid night to many folks, and such nights have been nothing more than that to me, too. But tonight, I was warm and safe in my choices of clothing and just walking across a city lake felt like an adventure.

It occurred to me that to survive a Minnesota winter, it is necessary to maintain a childish sense of adventure. You must enjoy the very act of survival. You must want to prove your worth against harsh elements. And you must never tire of remarking on a cold night to anybody: gas station attendant, waitress, friend, family, coworker.

There’s no denying, though, as the frozen days stretch into weeks and months, that maintaining that youthful perspective can be pretty hard to do. But one should just think of a childhood hero like Will Steger, spending months crossing Antarctica by dogsled, just the gear in his sleds and thousands of miles of ice and snow, uncertain outcomes, a historic journey, and remember what it was like to dream those kinds of dreams.

The almost full January moon

Recent Twitter updates (2010-01-29)

  • Listening to Led Zeppelin 'I' w/ fresh ears. Solid block of the 2nd, 3rd and 4th tracks… all 6.5 mins. long at least. What an entrance! #
  • "Things happen for a reason" often a cop-out. That said, there are always lessons in misfortune. Gratitude for good fortune, for instance. #
  • Runners: enjoy a run down the frozen St. Croix from Marine to Stillwater under the full moon next Saturday night – http://bit.ly/5MV7SM #
  • It's gray and snowy and frozen and all that outside, but it's also quite light out at 5:00! #wintermakesyoutalkcrazy #
  • I hate clichés as much as I hate tech hype! "The Cliché Expert Testifies on the Apple Tablet" (New Yorker): http://bit.ly/dvwJiu #
  • Retribution Gospel Choir Wikipedia page is a mess! Who's up for the job?http://shar.es/aViwm #
  • I just unlocked the "Newbie" badge on @foursquare! http://4sq.com/a9CBuH #
  • I'm at Isaac's Cafe (Larpenteur Ave E, St Paul). http://4sq.com/83lO34 #

The Imaginarium of Heath Ledger

We saw Terry Gilliam’s “The Imaginarium of Doctor Parnassus” on Saturday night. Very enjoyable. I didn’t find the themes I’ve found common to his other two works I know best, “12 Monkeys” and “Brazil,” primarily surreal ultra-bureaucracy, but there was more of the Monty Python in this, including a startling but hilarious dance number.

This, the last work we’ll ever see from Heath Ledger, made me mourn his passing all over again. He really was a tremendous actor with great breadth of skill and immense promise.

This bit of an interview with Gilliam added to the sense of loss, knowing that the possibility of many more collaborations between Ledger and Gilliam can now never come to pass:

You’d worked with Heath before. How good was he?

Heath was a brilliant actor and he was getting better every day. And just watching him rise, was incredible. And I think that’s the thing, as well as losing a close friend, it’s just the waste of this incredible potential. I just think there was nothing stopping him; he was going to be the best, just the best. He was already right up there but he had learned to play more. And just the stuff that came out of him daily on the set. Nicola and I and the first AD, with every take we were like ‘what the **** is he doing now? Look at that!’ It was just this constant surprise. And that’s what is so awful, the loss of that talent. And I could see that he and I were going to be doing a lot of films together because he just got it, he got what I was about, I got what he was about. And suddenly, that’s it, he’s gone and I lost a partner. I think we would have done a lot of films together but I’m on my own again. Every day I think about what would have done here? What about that? And with the film, I would have loved to see the film that he would have made had he lived. I don’t know what it would have been like, everybody is now in love with what we got, but I still think about what we were going to do. Read the rest of the interview (it’s worth it) »

“Find that basic animal secretly hidden inside myself”

Sam went to the Banff Film Festival last night in Bozeman and alerted me to a movie that he thought would be up my alley. “Finding Farley” is about a young couple and their two-year-old son’s journey across most of Canada to visit legendary writer and ecologist Farley Mowat (“Never Cry Wolf”).

The family travels most of that way by canoe. It looks like a lovely flick about family, wilderness, writing and understanding the natural systems we live in. It won this year’s Grand Prize at the festival.


I first saw the film “Never Cry Wolf” when I was a kid. Revisited it again a few years ago and enjoyed it thoroughly. It’s as funny as it is a study of place and the wolves that live there.

I read the book on a BWCAW trip a couple years ago and, though it was enjoyable, this is actually one instance where I think I enjoyed the film more. But both are great works about the Arctic, wolves, and man’s relationship with the land.

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