We saw Terry Gilliam’s “The Imaginarium of Doctor Parnassus” on Saturday night. Very enjoyable. I didn’t find the themes I’ve found common to his other two works I know best, “12 Monkeys” and “Brazil,” primarily surreal ultra-bureaucracy, but there was more of the Monty Python in this, including a startling but hilarious dance number.
This, the last work we’ll ever see from Heath Ledger, made me mourn his passing all over again. He really was a tremendous actor with great breadth of skill and immense promise.
This bit of an interview with Gilliam added to the sense of loss, knowing that the possibility of many more collaborations between Ledger and Gilliam can now never come to pass:
You’d worked with Heath before. How good was he?
Heath was a brilliant actor and he was getting better every day. And just watching him rise, was incredible. And I think that’s the thing, as well as losing a close friend, it’s just the waste of this incredible potential. I just think there was nothing stopping him; he was going to be the best, just the best. He was already right up there but he had learned to play more. And just the stuff that came out of him daily on the set. Nicola and I and the first AD, with every take we were like ‘what the **** is he doing now? Look at that!’ It was just this constant surprise. And that’s what is so awful, the loss of that talent. And I could see that he and I were going to be doing a lot of films together because he just got it, he got what I was about, I got what he was about. And suddenly, that’s it, he’s gone and I lost a partner. I think we would have done a lot of films together but I’m on my own again. Every day I think about what would have done here? What about that? And with the film, I would have loved to see the film that he would have made had he lived. I don’t know what it would have been like, everybody is now in love with what we got, but I still think about what we were going to do. Read the rest of the interview (it’s worth it) »
Sam went to the Banff Film Festival last night in Bozeman and alerted me to a movie that he thought would be up my alley. “Finding Farley” is about a young couple and their two-year-old son’s journey across most of Canada to visit legendary writer and ecologist Farley Mowat (“Never Cry Wolf”).
The family travels most of that way by canoe. It looks like a lovely flick about family, wilderness, writing and understanding the natural systems we live in. It won this year’s Grand Prize at the festival.
I first saw the film “Never Cry Wolf” when I was a kid. Revisited it again a few years ago and enjoyed it thoroughly. It’s as funny as it is a study of place and the wolves that live there.
I read the book on a BWCAW trip a couple years ago and, though it was enjoyable, this is actually one instance where I think I enjoyed the film more. But both are great works about the Arctic, wolves, and man’s relationship with the land.
A hawk sits watching
Nervous mice in grassy ditch
Nest in winter’s sand
This new 90 page magazine-book hybrid, subtitled “Nowhere Else But Here,” is based on a project I undertook last June, writing every day for the whole month (one of Minnesota’s finest months).
For the project, I observed the progress and passing of June using the Japanese form haibun. That’s a fancy word for something that is simply, beautifully, the combination of prose and haiku poetry (you know, three lines of five, seven and five syllables, respectively).
In this collection, the prose tells of the journey through the season, and the haiku are images captured on that journey.
I think I’ve produced a high-quality publication and I’d love it if you’d buy a copy. I am hoping it would be good for your soul during these dark winter months to read these daily entries about days of sun and swimming in the river, nights of fireflies and driving home with your hand out the window in the cool, damp air. The tales find me traveling from Minneapolis to the St. Croix River, from the northern forests to simple morning walks around the lake.
In addition to the the 30 haibun, “Nowhere Else But Here” also features my photos on the front and back cover, both taken in June in the St. Croix River valley. And, as a bonus, there is a prologue to the chapbook that includes some of my favorite previous writings on summer in Minnesota.
-Drawing by Wade
I'm a writer and Web communications practitioner with a bias toward conservation issues--particularly regarding public lands and waters.
I grew up in Stillwater, MN and have primarily lived in St. Paul and the surrounding area for the past 10 years. The outdoors are a big part of my life, as are music, film, art, and my lovely wife and dog. More...
Esker
I have published two volumes of a chapbook titled "Esker." The most recent volume, "Nowhere Else But Here," was released in January 2010. It features writings from every day of June 2009 in an old Japanese form called haibun.
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