A watery embrace

Fighting a fish on the upper St. Croix River

The wildness, beauty and joy of the upper St. Croix River really shines through in this piece from the Milwaukee Journal-Sentinel by Paul Smith, the paper’s outdoors editor.

We push off and begin a leisurely trip down the river. The banks are lined with alders, white cedar and an occasional white pine; the water is pocked with gray boulders.

The river here is Class 1, meaning “no worries.” Bartz paddles solo, Zeug and I share a canoe. We dwell around the deeper holes, casting with floating crank baits and soft plastics.

When the canoe scrapes bottom, we get out and pull. The water is 70 degrees Fahrenheit, a near match for the air.

“I think I’ll just stand here for a while,” says Zeug, standing calf-deep in a gurgling, natural Jacuzzi.

He wouldn’t have to move because of river traffic or bank-side voyeurs: over five hours, we don’t see another human being.

The description of their stop for lunch, which closes the article, is alone worth the read.

The pleasure of the story

Being Wrong book coverIt’s possible that everything you’ll ever need to know about storytelling is contained in this interview with Ira Glass of the radio show This American Life. The interviewer recently published a book about being wrong (Being Wrong: Adventures in the Margin of Error), and Glass seems to be the perfect subject.

An astute commenter on the interview points out that the idea that most modern literature is about wrongness (not to mention Shakespeare, Greek tragedies, and the Old Testatment) is not a new one.

Nonetheless, Ira Glass breathes life into the matter like no one else.

Do you consciously think about wrongness as a narrative device?

I don’t go looking for stories with the idea of wrongness in my head, no. But the fact is, a lot of great stories hinge on people being wrong. In fact, we’ve talked as a staff about how the crypto-theme of every one of our shows is: “I thought it would work out this way, but then it worked out that way.”

Sometimes that wrongness exists in really small ways. We did a story this week about a man who saves people on a bridge in China. It was kind of a radio cover version of a magazine piece by a guy named Mike Paterniti, who started out thinking the man was going to be this inspirational Gandhi-like figure. And then Mike gets there and the guy turns out to be totally gruff and barely talks to him. That’s a small wrongness, but it’s the pleasure of the story. If you just showed up at the bridge without the setup of thinking he’s going to be a great guyif he just starts off as a grumpit’s less pleasurable. It’s less fun. The collision of reality against expectation is what makes it work.

Why is there such a big payoff for the listener in stories about wrongness? What makes it so pleasurable?

Well, if the story works, you become the character, right? You agree with their early point of view, and then when it gets shattered, you are shattered with it. So in the storytelling, you want to manipulate the evidence and the feelings so that the audience is right there agreeing with the person who’s about to be proven wrong. When that happens, if it’s done right, you as the audience get flipped upside down.

Later, the interview explores the subject of Glass being wrong in his own work and life. Glass talks about going into a story thinking it will be great and finding out it doesn’t work (which seems to happen more often than not), and dismissing story ideas that later make award-winning radio. He also recalls committing a lewd act as a junior high boy that is so embarrassing to even think about that he can barely force himself to share it.

But he does share it. The successful and ground-breaking radioman doesn’t try to make himself look better, but rather seems to find interest and joy in his own wrongness, just like he does when producing a radio story. Which makes sense in the context of another excerpt from the piece:

There are definitely lots of things that I don’t want to be wrong about and will fight to the death over, and I’m totally obnoxious about it all the time. But I also feel like there’s a kind of discovery that you’re wrong that, in a safe situation, can be a real pleasure. Do you know what I mean? Like when you’re arguing with someone you love and you realize, “I’m wrong, you’re right,” and you come together in that moment. It’s such a relief. To me it’s so obvious that some kinds of being wrong are OK.

Read the whole thing, it’s worth it.

Bluegrass and bagels

St. Paul Farmers Market

Listening to Jazz 88′s program “Bluegrass Saturday Morning” is a weekly tradition for Katie and me. It’s often the soundtrack for coffee, breakfast, reading. The easy start to the first day of the weekend. Host Phil Nusbaum‘s pleasant voice and steady delivery is matched by his enthusiasm and deep knowledge of decades of bluegrass and Americana music.

I turned it on in the kitchen this morning when I got up and then I started the coffee. We didn’t listen long, though, because once the coffee had brewed we left the house to head down to the St. Paul Farmer’s Market; our first visit of the season.

The first stop for us at the Market is always the bagel stand, where we get bagels with egg for breakfast while we strategize our shopping. This morning, a bluegrass duo playing in a tent nearby grabbed our attention. With bagels and coffee in hand, we wove through a stand of beautiful flowers and took our positions to eat, drink and enjoy the music.

When the first song ended and the banjo player said “thanks” and introduced the next tune, we realized that he was none other than Phil Nusbaum himself! Even though Bluegrass Saturday Morning was still on the radio (it goes from 7 a.m. to noon every Saturday), I had known that it was generally pre-recorded. Nusbaum was both on the air and in-person, a critic and a creator.

He and his guitarist then played a whimsical version of the Beatles’ “Yesterday,” Merle Haggard’s “Wine and Roses,” and another tune or two while we stood watching. They weren’t playing anything very fast, but rather just easy-paced tunes where both instruments and the vocals could have the time they needed to really be appreciated. The combination of a seasoned banjo player (playing what appeared to be a very seasoned banjo) and a guitarist with a relaxed singing voice was perfect for the mellow, cloudy, cool morning.

When our bagels were gone, I threw a couple bucks in the open guitar case in front of them, and we wandered off to shop the market. They were taking a break when we left an hour or so later, our arms laden with flowers, flats of herbs for the garden, and other goodies. When we got in the car to drive home, Bluegrass Saturday Morning was still on the air and Nusbaum was narrating a review of bass and baritone singing in bluegrass music.

Twenty days of sojourn

my mind shattered
in thousands of fragments
wishes to spend
the whole day on a boat
drifting with the river stream

- Okamoto Kanoko, 1889-1939

Drifting with the river stream

twenty days
of sojourn in the woods
and yet
not a single tree willing
to take me in its warm embrace

- Ibid.

Twenty days of sojourn

Trip Report: Camping, canoeing, and fly-fishing at St. Croix State Park

(Cross-posted at Minnesota Trails magazine.)

To get to the Little Yellow Banks canoe landing at St. Croix State Park, you first drive five miles of paved road from the highway to park headquarters. Then you drive another five miles of gravel road to the landing.

By the time you get to the landing, you feel like the hustle and bustle of modern life is pretty far away. The river–wild, undeveloped, beautiful–does nothing to dispel that feeling.

I left the Twin Cities last Thursday afternoon with my dog Lola and drove an hour-and-a-half north to the park. My buddies Eric and Gabe had spent the previous two nights in the Boundary Waters Canoe Area Wilderness and were going to meet me to camp that night and float a few miles of the St. Croix River in the morning and do a little fishing for smallmouth bass.

Big park, big adventures

At 34,000 acres, St. Croix State Park is Minnesota’s biggest state park. It contains 217 campsites, 127 miles of hiking trails, and large swaths of unbroken woods that are home to wolves and bears.

It also includes 21 miles of the federally-protected St. Croix River and seven miles of the Kettle River, a state-listed wild and scenic river and also a popular paddling destination. It is surely on many peoples’ list of top paddling destinations in the state. (View a PDF map of the park.)

When I finally arrived at Little Yellow Banks, it was about 4:00 p.m. The landing is named after the tributary which joins the St. Croix at that spot. It was where, during the 1890s, a logging railroad dumped timber into the river to float down the river to mills downstream. Today, the backwater at the confluence is a quiet, remote place.

And the Waldorf-Astoria Hotel of mosquitoes.

The bow of my canoe and the St. Croix River

The dog and I had no interest in sitting around feeding malnourished insects, so we hopped in the canoe and pushed off into the river to wait for our companions. Away from shore, the mosquitoes subsided and I was able to really relax and soak in the silence and beauty of the river.

A night in the woods

When the other guys got there, we drove back out the five miles of gravel (spotting deer, grouse, and a fox), then a bit further down another one of the park’s long roads to the Sand Creek Landing. There, we left one car to spend the night, and we returned to Little Yellow Banks.

The landing doubles as a campsite for river canoeists. We figured that we were within the guidelines, even though we hadn’t actually paddled up to the site, as we would be paddling away from it in the morning, and we parked our other car 100 yards up the road at the parking lot. Then, we set up the tents and otherwise made ourselves at home for the night.

Little Yellow Banks landing

Once it got fully dark, the mosquitoes subsided but a more welcome insect appeared. The flickers of fireflies began to pop up around us. Some of them blinking on and off, others fading in and out. If you looked closely, you could perceive at least a couple different colors of luminescence.

As we prepared dinner of New York Strips over the fire and couscous, a park ranger drove up and we talked fishing for a few minutes. He told us that in a night of fishing on the river, it’s possible to catch a sauger, catfish, smallmouth bass, northern pike, walleye, and maybe even a muskie.

Recently smitten by smallmouth bass on the fly rod, I have kept busy the past couple years seeking out new stretches of the St. Croix to pursue the fish, once said to be “inch for inch and pound for pound the gamest fish that swims.”

In the morning, I was hoping to get a fish or two on a new fly rod I had recently acquired. A heavier weight than my usual trout rod, it could cast in the wind of the open river and throw the big, non-aerodynamic flies that seem to sufficiently antagonize smallies to convince them to attack it.

Paddling on the St. Croix River

A wet and buggy start to a great day

It rained most of the night, but we were warm and dry in our tents. It was just me and Lola and the hope that the rain would taper off by morning. It did, though when I crawled out of the tent, the skies still looked threatening. Weather worries quickly dissipated though, as I was attacked with renewed gusto by the site’s mosquito population.

I rousted the other fellows, expressing my rather urgent need to know where they had put the bug dope. As soon as they opened their tent door, they suddenly found the motivation to get moving, too.

While the tents were taken down and camp otherwise deconstructed in surely record time, I made a pot of coffee. We were on the water very shortly, seeking relief from the swarms. And then the rain picked up again.

Getting ready to launch the canoes, in the rain and mosquitoes.

Despite appearing to be the type of rain that sticks around all day, the skies actually dried up pretty soon and we were able to relax. And the morning got steadily better. There was not another soul on the river, it seemed, and the banks were wild, without a cabin or any other sign of human visible.

The early June river-bottom woods were as lush and green as anything ever is in Minnesota. A steady chorus of birdsong rang out from the banks, the soundtrack to any good St. Croix excursion.

Going with the flow

The great thing about floating a river like the St. Croix truly must be the relaxed pace of the trip. You don’t need to worry about paddling much if you’re distracted by fishing or conversation; the steady current will keep you moving just fine.

While Gabe casted at every possible fish holding spot to no avail, Eric and I caught up on each other’s lives, while also finding time to solve many of the problems of the world and admire the scenery.

The seven miles down to the Sand Creek Landing passed pretty uneventfully. The clouds slowly broke up. We saw some folks on shore doing trail work. A very big bald eagle soared out of trees overhead a couple times. A couple fish were briefly waylaid.

The Unabomber catches a fish.

A nice smallmouth.

After a few hours, we arrived at our take-out and the end of our short trip. We had only seen about a third of the river the park contains, not to mention the other 250 miles of federally-protected river, including the St. Croix’s biggest tributary, the Namekagon.

Below our takeout, the river splits into two channels for about five miles, with the Kettle River Slough containing some reportedly fun rapids as the St. Croix approaches the mouth of the Kettle. There’s a big ledge at the end of the Slough where it rejoins the main channel.

As the epilogue to his 1960s history of the river, the writer, conservationist and historian James Taylor Dunn wrote of paddling the length of the whole river with a friend. Here’s what he wrote about paddling St. Croix State Park’s rapids:

“…[We] stopped for lunch just below the mouth of the rocky Kettle River on one of the three large islands which divide the stream. These islands, which extend through the seven miles of rapids, are high-banked and crowned with magnificent century-old pines.”

We drove back up to Yellow Banks, retrieved the other car, and then loaded the canoes and gear and headed for home. Mosquitoes sneaked into my vehicle while we loaded up, and my drive was occasionally punctuated by swatting one of the little pests.

See for yourself!

  • Canoeing 101  – On June 12 and August 14, St. Croix State Park is offering “St. Croix Canoe Cruise” programs. A naturalist will provide paddling basics, and then lead a 2-hour, 5-mile trip down the river. Visit the park website for more details.
  • Rentals – Pardun’s Canoe Rental rents canoes and provides shuttle service in the park, as well as at its location in Danbury, WI (approx. 15 miles from the park). They can offer advice on trips of different lengths, and handle the logistics of transportation.

Canine canoeing companion

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Welcome


-Drawing by Wade
I'm a writer and Web communications practitioner with a bias toward conservation issues--particularly regarding public lands and waters.

I grew up in Stillwater, MN and have primarily lived in St. Paul and the surrounding area for the past 10 years. The outdoors are a big part of my life, as are music, film, art, and my lovely wife and dog. More...

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Esker - Volume 2 - Nowhere Else But HereI have published two volumes of a chapbook titled "Esker." The most recent volume, "Nowhere Else But Here," was released in January 2010. It features writings from every day of June 2009 in an old Japanese form called haibun.

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